Things I learned in Canada and a Review of Forty Creek Confederation Oak Reserve

Well, I've been back in the United States for about a week now. I'm fully recovered from the early mornings, late nights and long drives. But looking back on it, I learned a lot while I was there. Some of it about Ontario, some about me. Some of it is minor, some...well not profound, but certainly less minor. 

Things I learned about Ontario & it's people & me 

Driving:

  • They do not "Merge" while driving, they "Squeeze." And I find that delightful.
  • Toronto will never, not be under construction. (I have that on good authority by an employee of the government.)
  • Ontario speed limits are extremely SLOW!!! 70-90 KPH? In the most extremely non-urban areas? Are you kidding me? I'm used to 70-80 MPH as a minimum.
  • Temporary orange lines for temporary lanes in a construction zone! Genius!
  • Canadian construction barrels are really skinny. But people still run them over.
  • I never want to drive in Toronto again. 

Money:

  • Ontario is expensive! (Across the board: soda, booze, attractions, public transportation, coffee...but not beer. hmmm...)
  • Pennies are stupid. Rounding feels better and less ticky-tacky. (but I still hate dollar coins...except for vending and tolls and bus fare and...)
  • Serious looking people in suits saying Toonie is just a bit silly.

Food:

  • Hamburgers in Toronto come with unannounced mayo.
  • Although vinegar on pizza is not a thing, I hope I helped to make it one. Also vinegar as a condement is totally a thing there.
  • I want the St. Lawrence Market by my house. 

People:

  • Toronto people do not say ah-boot instead of about (at least not those I met)
  • The homeless will thank you for not giving them money and tell you to have a nice day.
  • Canada is empty. The folks I met with claim that 75% of Canadians live within 100 miles of the US border. My limited experience seems to bear this out...though I doubt I was ever further than 100 miles from the US border. 
  • Just as not every Minnesotan loves hockey (me), not every Canadian loves hockey. 
  • Elton John got married in Toronto (acording to our tour guide on the sightseeing tour)
  • Everyone I talked to in Toronto had a slightly different accent.
  • The accent I picked up lasted most of a week before tv and Minnesota brought it back to normal.

Drinking:

  • When a Canadian says "Let's meet for a dram," it's likely they will bring two full boxes of whisky. Or so my one-time experience tells me.
  • Bourbon is a rip-off in Ontario ($75 for a bottle of Bookers, WTF?).
  • Government run liquor stores are generally bad for a varied selection, but centralized inventory lookup is really convenient.
  • It is way cheaper to bring booze home from Canada than into Canada if you are over your duty-free allowance. And that is good, because they really do keep the best whisky at home.
  • Forty Creek lived up to it's (unofficial) advertising. They make tasty stuff pretty much across the board. Though the maple liqueur was a bit much for me.

Miscellaneous:

  • Ontario is really big. It's 354,342 sqare miles of land area is roughly the equivalent of Maine, Vermont, New Hampshire, New York, Massachusetts, Connecticut, Rhode Island, Pennsylvania, New Jersey, Delaware, Maryland, West Virginia, Washington DC, Virginia, North Carolina and South Carolina. It goes from New York to Minnesota and then to Oh-My-God North. (The part we drove through was roughly the size of West Virginia.)
  • I could never take a cruise. I got restless on a beautiful, two-hour ferry ride across a tiny part of Lake Huron.
  • The CN Tower is older than me and glass floors that high up make me way too nervous.

The two most important things I learned in Canada are as follows: 

  1. Canadian whisky folks are amazing people and are worth the trip even if you were to do nothing else but visit them and then hide in your hotel room for the rest of the visit. 
  2. I really need to meet more of my online whisky friends in real-life. Let's all plan to meet at the Kentucky Bourbon Festival next year, ok? Or maybe just drop by my house here in Minnesota. I'm sure my wife will be fine with it. 

I brought three whiskys back from Canada with me. Two, I reviewed during the #DavinTT tastings in May. So here is the third:

Forty Creek Confederation Oak Reserve 

(Lot 1867-B) 40% ABV

Nose: A lot of alcohol on the nose at first. After sitting a bit I get a big hit of buttery maple along with a bit of wet ashes. After a while longer the maple fades and is replaced by some sourness. 

Mouth: First sip is sweet, almost cloyingly so, on the tip of the tounge becoming increasingly sour as it moves back in the mouth. Subsequent sips: bring more of the butteriness from the nose and some spice.

Finish: Short burn, very easygoing with a lingering sweetness in the back of the throat. 

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Thoughts: Overall, I like this but with a few reservations. First, I'd love this at a higher proof. The flavor is just a bit too delicate for me. The finish is almost non-existent and higher proof might help that as well. Finally that sour note was just a bit too much for me this time around. So while I like this, it is not quite in line with my palette. I'm pretty sure he wasn't aiming for bourbon drinkers though. That said, it was fun to taste a whisky aged in Canadian White Oak barrels. Who knows if I'll ever get the chance to do that again.

 

Book Review: Alt Whiskeys

It's been a fun summer for me so far. I've made it my personal goal to try 100 new beers this summer. I think I'm going to make it, between mixed-sixes and brewery sampler flights, I've already tasted 50. (Follow me on Untappd if you are interested in my progress.)

So what does this have to do with a bourbon blog? Well, this increased interest in beer got me to thinking about a book I bought a year or so ago. It's called Alt Whiskeys and is written by Darek Bell, owner of Corsair Artisan distillery in Bowling Green, KY. At the time, I'd never had anything produced by Corsair. But after reading the book, I wanted to. (I got my chance at the Kentucky Bourbon Festival last September.) I was also interested to learn that the author came to the idea of distilling with a background in home brewing beer. 

For some reason the idea of making whiskey and the idea of making beer hadn't clicked as things that the same person would be interested in. I knew that the processes were similar up to a point and that both were creative processes that hopefully ended up with something fun and tasty at the end of it. I will admit now, a year later, that I was pretty self-centered in that outlook. I have an intense fascination with the distilling process, but I have no desire to ever make my own home-brewed beer. And I'd projected that upon others. 

So after all this thinking about beer, I picked up the book and started to reread it. The first thing I have to say is: I loved this book. It's a technical book, but is written in a conversational style. And I'll admit, having never home-brewed, I didn't understand some of it at first. With a little research though, I was able to muddle my way through until I got up to speed. 

The book covers topics such as what brewing and distilling equipment you'll need and how to build your own (and warnings about doing it without the proper licenses), alternative grains you might use (millet, oats, sorghum, etc), inspirations from outside the world of whiskey (beer inspired, hopped and smoked whiskeys) and alternatives to malt, yeast and hops that you might use. It also includes recipes including both ingredients and instructions for brewing, distilling, barreling and bottling. 

All in all, the content in this book will be really interesting to anyone who has an interest in how whiskey is made and what else you might do beyond a traditional version. 

And if all you are interested in is the content, you can stop here. The photos are beautiful, the type choices are interesting, in a good way, and the information provided is top-notch. But I am a designer. And for me how information is presented is almost as big of a deal as the information itself. I've mentored young, inexperienced designers for almost ten years (and was a young, inexperienced designer for years before that). I have some serious issues with the design of this book. I'll just go over a couple of them. 

First, it has practically no margins. The margins of this book are a quarter inch (6.3 mm). That is barely in the safe zone that most printers ask for. They ask for this so they don't accidentally cut off your content (page 14 in my copy is a good example, margin size has slid down to an eighth of an inch while being trimmed). From a reader's standpoint, a lack of adequate margins does two things. First the book feels overfull. This can be used to good effect, but isn't in this case. Second and more important to a book of this physical size, the reader has no room to put their thumbs. This is not a one-handed book that you can hold in the middle. Even with my big hands, it needs to be held at the edge and if you have no place to put your thumbs, you cover the content. This is one of the first things I point out to young designers. Think about how the piece will be used and remove all the things that get in the way of legibility. Like thumbs.

Secondly, the body copy type size is widely inconsistent from page to page, and sometimes from the top to the bottom of a single page. It looks like it ranges from 14 point to 10 point and then to 9 point. 14 point is huge, it's the size I use for pull quotes or sub heads. 10 point is what you'd choose if you have a audience over 40 years old as they will statistically have poorer eyesight. So what if the type is huge and inconsistent? Well, if it had been brought down some, there might have been room for bigger margins for a more functional book and more elegant feel or possibly a smaller page count for a cheaper production.

I like this book a lot. Fix just these two functional design issues and this becomes a book worthy of the coffee table. As it stands this is a book I'm glad to have read. Twice. It's a book I keep on my shelf with my other whisky books. And it is a book I will read again if I ever am in a position to use the information contained within. It's also a book I would love a chance to re-layout. So uh, Mr. Bell, if you're ever going to reprint it look me up, ok?

Head-to-Head-to-Head Review of Bourbon from the Barton 1792 Distillery

I am a cheap bastard. I listen to my music on Spotify (the free account) instead of buying it. I take a sandwich for lunch everyday. I don't go to the movies every month, or even every six. I drove my last car until I was spending almost as much on repairs as I would on a car payment. I drink bourbon and I like bourbon that is under $20 per liter. 

That doesn't mean I won't spend more on a good bottle. I spent $100 on one just a couple weeks ago. I'll spend money if it is deserved. I go to movies that will benefit from the big screen and big sound. When I bought a car, I bought one with all the electronics you could ask for. I buy those few albums that I know I'll be listening to in a few years. I try to buy my dinner hot and pre-made once every couple of weeks, even if it is just delivery. 

If you wanted, you could probably call me "frugal," but I tend to be a bit more plain spoken than that. And besides, cheap doesn't offend me. Cheap means something is worth more than it costs. I love cheap. Cheap is your rough-around-the-edges uncle. Frugal is that quiet chap in your office who seems just a bit stuck up. Cheap is fun. Frugal you are afraid of offending. You don't worry about cheap. Cheap can take care of itself. 

And that is why I picked two of the bourbons I did for tonight's tasting. If you were being nice, you could call them inexpensive. Or a good value. But let's not start mincing words now. These are two cheap bourbons. Even the most expensive of the two is under $25 for a 1.75 L at the Party Source. But, that said, I made a special point of searching these out the last time I was in Kentucky. Everything I read, said that they are a well kept secret in the Bluegrass State and that they are much better than the price tag suggests.

So last time I was there, I picked up a liter of 86 proof Very Old Barton and a 200 mL of the 100 proof version for comparison. Tonight, because it is made at the same distillery and because I prefer a three way double blind, I threw in a pour of my Liquor Barn Selected1792 Ridgemont Reserve as well (second series #5 according to the label). 

Each of these pours was really hot on the nose initially. Just overpowering with alcohol. So in an unusual move, I let them sit for five minutes before coming back to them.

Whiskey A

Nose: First thing I'm hit with is dried corn sitting in a silo. After a while it shows some floral and sweet scents. After a couple sips I could swear someone is baking sweet cornbread in the glass.

Mouth: This disappoints. It's all harsh alcohol on the tongue tip and stays hot as you swallow. It does sweeten some as it moves back in the mouth though.

Finish: warm and peppery. This one definately leaves a tingle that lasts for a while.

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Thoughts: This one is so hot that I'd drink it with a couple ice cubes or some water, but even then it wouldn't be my first choice. It's not bad, but not great. It's just meh.

Whiskey B

Nose: Strange as it sounds, the first thing I'm struck with is chocolate milk. But then moving into the smell of silage. Finally landing on sweet brown sugar. 

Mouth: Sweet at the tip of the tongue, but becomes a bit peppery as it moves back in the mouth. Adding a bit of water mutes the pepper and allows some of the wood to show itself.

Finish: This leaves you with all the stereotypical bourbon flavors. Caramel vanilla and oak. It's nice.

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Thoughts: This is certainly more interesting to me than A was. Whiskey A was all about the heat. This is a bit more nuanced. That said, it's still just sort of...there. It'll do in a pinch, but also wouldn't be my first choice.

Whiskey C

Nose: This starts just a bit sour. But that fades. You are left with wood and brown sugar.

Mouth: This is very gentle on entry. Sweet with a mild pepper. It's almost cooling after the other two.

Finish: Very quick finish. There is a lot of vanilla along with a hint of dryness.

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Thoughts: This is easy drinking to the point of being boring. And that's why I like it. I'd reach for this while playing cards or having an animated conversation with a close friend. Something where I don't want to think about my whiskey, I just want to drink it and enjoy what's going on around me.

So which is which? Well, I was sort of surprised to find out that I had ranked them in inverse order to their price. I liked the 86 proof Very Old Barton the most (C),  the 1792 the least (A) and the 100 proof Very Old Barton landed in the middle (B).

Keep in mind that this is not the regular release of 1792 so your milage may vary. This one may very well have been chosen for it's heat. I have tasted it side by side with the regular release and I didn't notice much of a difference, but you never know.

Old Pogue, Collier's Powerful Welsh Cheddar & a Ritz: Powerfully Tasty

Last weekend I had what might have been the most transcendent bourbon experience I've ever had.

I was watching MadMen as the finale to a really good weekend of visiting with family (and playing my first ever game of laser tag). Along with some really tasty bourbon, I had picked up what I hoped was some really tasty cheese. Toss that on a few crackers and I figured I had a yummy, though not necessarily healthy, snack to add to my tv viewing pleasure.

The bourbon: Old Pogue Master Select. The cheese: Collier's Powerful Welsh Cheddar. The crackers: Ritz. Yes, Ritz. I love the greasy buttery goodness of those things...

On their own each are tasty. Together they form a super-group that would make all those mulleted rock super-groups of the 80s quake in their odd-looking and inappropriate-with-tight-pants cowboy boots. (Looking at you Damn Yankees.) I mean, this combination is just heaven in the mouth... 

...or so I remember. Knowing that memories that come from a relaxing session of drinking bourbon are notoriously suspect, I decided tonight that I was going to try to recreate the experience in a more scientific (read that non-tv watching) manner. 

First I tasted the Old Pogue on it's own. Here are my notes:

Old Pogue Master's Select

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Nose: initially there is a big hit of alcohol. After sitting for a little while I start to pick up caramel apple, baking spices and some vanilla. This is a pleasant nose. Almost comforting. 

Mouth: Repeats a lot of the nose. Tasty, but nothing spectacular. 

Finish: A spicy, sweet burn that lasts a while and is then replaced by a bitter and slightly vegetal after taste. 

Overall: I liked it. I'll certainly buy it again. It's not a go to bourbon, but it'll do when the mood strikes. 

The Combo

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After a fairly thorough tasting to set the baseline, I add the cheese and cracker to the mix. This is where it gets fun. In order to most accurately recreate the initial experience I add a bit of water to the bourbon as well. The cheese and cracker cancel a bit of the burn left after adding the water. The sharp cheddar completely overpowers the bitterness in the finish. It adds a caramel sweetness to the slightly sweet, salty, sharp, nutty taste of the cheddar and buttery crunch of the ritz which is amazing. It's just as good as I remembered. Damn Yankees have been put on notice. 

And I have to say, it made for one hell of a supper.

Double Blind Review: Evan Williams vs. Evan Williams 1783

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I like to travel. A lot. It's pretty much my second favorite hobby. I like it so much that I'd write a travel blog if it wasn't cheaper to go buy a bottle of bourbon than catch a flight to Louisville. And if so much of my travel didn't involve bourbon in some way shape or form. Last September I was in Kentucky. I believe I've mentioned this. One of the little highlights of my trip was stopping into the liquor stores to scope out all the tasty things I couldn't get (or didn't think I could get) at home. One of these was Evan Williams 1783. Since September, I've had it neat a half dozen times or so, used it in a few cocktails and even for cooking on occasion. All in all each experience was enjoyable.

Of course, sometimes you buy something just because you want to compare it to something else. This was the situation I found myself in as I bought a tiny little mini of Evan Williams black label. It was something I'd had and liked before, but with so many other tasty things to try, it had taken a while for me to go pick it up again. Black label was one of the first non-premium bourbons I'd had after I decided I liked bourbon. I'd read that it was a pretty good value bourbon and decided on a whim to pick it up. Good whim. I immediately realized that as far as bourbon was concerned, you didn't need to spend $30-40 to get something really tasty. 

So, having the 1783 in hand and having picked up the mini of the black label, I decided tonight to go head to head. Just to see if different was necessarily better.

Here comes disclaimer-time: I did this in my normal double blind tasting routine where I draw a circle with an A in it, one with a B in it, one with a 1 and then one with a 2. I pour into the glasses labeled A and B and my wife moved them to either 1 or 2. So I know what A and B are, and she knows what 1 and 2 are, but neither of us know what bourbon is 1 and which is 2.

Bourbon 1:

Nose: This is a sticky sweet caramel roll in a glass. 

Mouth: Very sweet on entry. It gets hotter as it moves back in the mouth. Other than that there isn't much else going on here.

Finish: There's a little heat, but it fades pretty quickly.

Thoughts: This is a very pleasant, uncomplicated bourbon. It isn't going to make you sit and think, but that makes it perfect for playing cards. Something to sip on while your attention is somewhere else. 

Bourbon 2:

Nose: right away, I'm reminded of sour milk. not something I want to nose at all. After letting it sit for a 5-10 minutes the sour milk fades and is replaced by a sweet caramel much like bourbon 1.

Mouth: The sweetness is repeated here. It's soft and full in the mouth. 

Finish: Short with almost no heat, but there is a lingering sweetness that I like.

Thoughts: This is so uncomplicated to be almost boring. But sometimes that's a good thing. I'd like this as I watch tv at the end of a rough day. It lends itself well to just vegging out watching an implausible prime-time action drama.

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Verdict: I shouldn't have been, but I was pretty shocked to find out how similar these two were. The little bit of heat in bourbon 1 was not as pleasant as the softness of bourbon 2. Sweet, sweet, sweet as most inexpensive bourbons are, but pleasant none-the-less. I like these for drinking, not tasting and wouldn't hesitate if offered either during a hand of cards. 

So which was which? Well, bourbon 1 was the Evan Williams 1783 and bourbon 2 was the Evan Williams Black Label. I found it a bit shocking that I found the "normal" one more to my liking, but that's why I taste blind: I don't want any preconceptions. And of course, if you haven't had them, try them out, you'll be out maybe $30 for the pair. 

Double Blind Review: 3 Unrelated Ryes

I recently realized I had about one pour left of two different rye whiskies. I needed the shelf space so I poured them into small bottles and stuck them onto one of my shelves. They sat there for a while. 

A long while.  

I like rye. But unless it is amazing, I normally put it into a cocktail. A sazerac or a manhattan made with a decent rye whiskey is one of the best things that a person can imbibe. I'd had both of those in cocktails and neat. I mostly preferred them in a cocktail. But I like rye. And these two had only one pour left. If I was going to review them, I was going to have to not put them into a cocktail. I was going to have to put them into a glass all by themselves and think about them. 

Cocktails are good. They do not tend to lend themselves to the contemplative tasting. But that's part of their charm. They taste good. And that's their purpose. A bad whiskey can be interesting, a bad cocktail needs to be dumped out. 

So here is a double blind tasting of those two ryes that I normally used in cocktails and another that I felt belonged since I like three way tastings way better than two... 

So there. 

I started in the usual double blind fashion of pouring and then letting my wife mix them up. I knew which whiskey equaled which number, she knew which number equaled which letter and neither of us knew what was in any of the glasses.

Rye A:

Nose: Honey, slightly soapy. Hints of grass follow.

Mouth: Sweet up front, mint and grass follows

Finish: This is a hot one. There's a tingle through the entire mouth. It fades into a bitter citrus pith in the throat.

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Overall: I like this, but I'm not sure this is something I would drink alone. It hits all the notes I want a rye to hit, but it isn't one that I'd go to neat on a regular basis. 

Rye B: 

Nose: Sweet. Butterscotch with a hint of baking spice

Mouth: Soft is the best word I can use. This is a sweet one. 

Finish: Minty cool plus heat. This is the Icy-Hot of finishes. But it fades pretty quick. 

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Overall: I loved the mouthfeel of this one. There was an elegant softness that I wasn't expecting. I know that two of these are 100 proof or over and one is 80. So I'm guessing this  is one of those. I don't care. I think I'm in love.

Rye C:

Nose: Fresh mown hay, then a hint of banana and mint.

Mouth: Thin. There isn't a lot of flavor here. Sweet and spice with a hint of bitter, but you gotta search for it.  

Finish: Finish is where this brings its game. It fades from the sweet into a bitter spice. There isn't a lot of heat, but this leaves a tingle.  

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Overall: Standing on it's own, this is a meh. I wouldn't put it into a glass, but if I was at a bar I wouldn't turn it down depending on what else was back there. It's really just ok.  

So what was what? You can see which three were being reviewed in the image above. So I'm just going to spill it. A was Rittenhouse Bottled in Bond. B was Wild Turkey 101 proof. C was Old Overholt. I was a little surprised at how much I liked the Wild Turkey, because none of these are very expensive. If you can find Wild Turkey Rye 101, it's pretty reasonable. Rittenhouse is under $25 and Old Overholt was bought for like $11 or so. Not really surprised that they ended up where they did. 

My wife checked my work tonight. She thought I was mostly right, but when she tasted the Rittenhouse she proclaimed: "ooh. I don't like this." Since she doesn't actually like rye neat, I wouldn't take that too hard if I were them.

Well, now I'm off to pour what's left together and make the world's most strangely concocted manhattan.  Well, as far as the whiskey is concerned. The manhattan will follow my standard recipe. 

 

Mint Julep Season

My wife tells me that it is Mint Julep Season. ​And while I prefer my Mint Julep to hold both the mint and the julep, it is one on my wife's favorite bourbon drinks. Because of this, I've fine-tuned one exactly to her tastes. It uses Wild Turkey Rare Breed, Wild Turkey American Honey, honey, mint and crushed ice. 

I am aware that this isn't the traditional version, but if you don't mind a little self-congratulation, it's pretty dang good. ​

Mint Julep à la Eric

Here is what you will need:
​12 Mint Leaves (young, fresh ones work better)
​1 Mint Sprig
​2 oz Wild Turkey Rare Breed
​1 oz Wild Turkey American Honey
​1 oz honey (I prefer Tupelo Honey from Savannah Bee Company)
​Crushed Ice
​Metal Julep Cup

Here is how I make one:
​​Prep work: 

  • Rinse off/wash your mint. Don't rub too hard.
  • ​Thoroughly mix an ounce of American Honey with an ounce of honey. 
  • Measure out your bourbon. 
  • Crush your ice (might want to store this in the freezer until ready to use)
  • Set everything aside until ready to build. 

Build your drink:

  • Lightly rub your mint leaves and maybe give them a quick spanking. Drop them in the bottom of the julep cup. (I don't muddle since I don't want bitter flavors.)
  • Pack your cup with crushed ice
  • Pour the Wild Turkey Rare Breed over the ice
  • Pour the Honey/American Honey over the ice
  • Spank your mint sprig and shove in the top
  • Put a (short) straw right next to the mint sprig so your nose lands in it when you drink.

So you don't have Wild Turkey Rare Breed? Go ahead and substitute your favorite high proof/high flavor bourbon. I've even used a 17 year old Four Roses Single Barrel once (like yesterday)…

Don't judge. My wife was ecstatic. This is a good thing.

Interview: Mike McCarron of Gamle Ode Aquavit & a review of Holiday Aquavit

I know this is a bourbon blog. I mean it says it right there in the header. It says it because I love bourbon. And because of that, among my friends at least, I am known as Eric: the Bourbon Guy. What it doesn't say is that although bourbon is my favorite spirit. I'm interested in others as well. I'm especially interested in craft spirits. I stop in at every craft-distiller I come across and can honestly credit my love of whiskey to one particular craft-produced one. In the spirit of that intense interest, I've decided to start what I hope will become a series of interviews with craft distillers who are producing a wide range of products. One thing they all have in common is the passion they put into what they produce. 

Today I'd like to introduce you to Mike McCarron, owner of Gamle Ode: a brand of US-produced Danish-style Aquavit. I met Mike for the first time about a month ago through a mutual friend. We got to chatting, I tried some of his product, I liked it and I asked him if he'd be willing answer a few questions for the blog. He very graciously said yes. Disclosure: He also gave me the bottle I'm reviewing at the bottom since I enjoyed it so much. So let's get into it.

Eric: Tell me a little about Gamle Ode.

Mike McCarron: I started this business to help with solving two things—one: the problem of the lonely bottle of aquavit on the shelf, and two: the lack of heritage, community and sharing traditions that drinking was suffering from.  My goal is to produce quality aquavit people can enjoy sipping and pairing with traditional Scandinavian or other ethnic dishes.

E: Speaking of starting, how did this get started? What made you decide to produce Aquavit? 

MM: It has taken me a lifetime of experience to prepare for this opportunity. I never imagined myself in the spirits business at anytime prior to two years ago when I suddenly found myself researching it . And it was only after gaining a mature level of patience and understanding of myself, and practical experience from my career in creating and executing large projects, that I was prepared to handle the mental strain of creating a business.

As for the core inspiration, it began when I returned from Iceland ten years ago determined to pass along to my family and friends the aquavit & smorrebrod experience I had shared one night with my Danish friends; however here I learned that great big America had virtually no aquavit, and the only public Scandinavian cooking was found in ethnic Danish, Swedish, Norwegian clubs and only if you were lucky enough to live near one.

Before the craft brewing and small distilling movements, the American drinking scene had been taken over by the youthful party and sports-focused crowds, where all marketing was targeted to young drinkers being in almost exclusively immature settings. Our culture (movies, TV, personal social) say ten years ago, would mainly have people telling stories about drinking which almost always involved one or more of the following:  

  • multiple shots dumped into some sports drink 
  • bar fights over something stupid 
  • projectile vomiting 
  • public urination
  • waking up in your clothes wondering how they got home.

And this would be involving thirty plus year old people, not just college-aged beer parties.

As a parent of young adults, I was saddened by the devolution that occurred over time whereby it seemed drinking wasn't fun unless people were getting blotto and waking up with regrets. We had forgotten how to have fun. We had forgotten how to appreciate a good drink. And we had forgotten how to appreciate each other (whether friends, family, or even fellow bar-mates). As for what we were drinking ten years ago, let's face it, for the most part it was meaningless and forgettable. there's little wonder that the drinking goal became quantity since there was so little quality to savor and enjoy. And discuss with friends later.

E: Sadly, I remember participating in that debauchery more than I care to admit. So you are a brand owner, not a producer. I've talked to a lot of producers, but I'm less familiar with this. I'm assuming it is still a full time job?

MM: It is full-time because it is all I have going, and it's a startup business, and it is my passion that gets me up each day. Add in the fact that I'm trying to reconnect a disconnected liquor to a disconnected heritage to an unaware consumer base in a business that has no shortage of competition for people's attention and dollars...This is a bit like trying to change the world. Also I'm on a small budget so I can only afford a few key contract employees.

E: So, give me a run through of your typical day.

MM: It is blessed.  In general, I get up when I want, walk to work, work at my own pace, and interact all day with people who are interested in producing and selling a quality product while putting on first-class events that feature them.  But the pace is accelerating and it needs to if I'm going to build a brand that produces enough for me to live off it.

On the surface, it sounds easy, almost slacking, but this is my business and being the sole employee means if anything needs to be done, I have to do it or at least arrange for someone else to do it.  I'm constantly deciding whether or not I have the skills and time needed for a task or if I need to hire someone.  I try to keep a regular schedule, up at 7am, working by 9am, working off and on all day until the achievable work is done.  The entire day is spent researching or planning or visiting my producer, distributor, or retailers to build or maintain working relationships.  

Off time is spent keeping up online--twitter, facebook, and the www--building that relationship with the world at large.  In other words, there is no off-time...but don't cry for me, because that's how every new business is built, we're all trying to gain some ground on the established markets by running toward the future as fast and smart as we can.

As I mentioned beginning, it is a blessing to be in this opportunity and for me to not give it all is to risk wasting the gift.  I try to do it on my terms...walking to the coffeehouse, riding my bike in the summer to my favorite bar w/wifi to work in the afternoon; allowing for an occasional lunch with friends where the goal isn't to visit a retailer...but I haven't had a vacation (even one to visit an aquavit distillery) since I started this business.

E: Tell me about the biggest challenge you've faced so far.

MM: It is me. The fears and doubts, many very legitimate and business crippling, have all had to be faced down. I've had several very key friends and several very fateful moments (often small and unintentional/missed by others around me) that have kept me going. As for the biggest doubt, it was a year ago when we were trying to scale the recipe and were unable to do so while retaining the dill flavor we had experienced and loved in our small scale batches.  We had done all we could do and failed, and Paul had doubts and I had doubts, and emotions were running a bit...until it occurred to me one idea we hadn't considered.  I'll not bore you with the details, but we ran with that idea and it happened, we got the flavor we needed in that batch and we were off and running again. (Editor's note: Paul is the owner of 45th Parallel Spirits the producer of Gamle Ode spirits) 

All told, it lasted 5 months...5 months of failure where nothing was produced but expenses and fears...that was tough, and it forced me to face my decision to say 'I am all-in'.  It is one thing to say 'all-in' for a single moment that is there and gone, where you move on the next morning; but it is entirely different when each morning for 5 months you have to get out of bed filled with doubts and climb back into it again that night to push those same doubts away so you can try to get some sleep.  I suppose if that last idea had not worked, I probably would have been done and wouldn't be answering these questions...thankfully it worked.

E: That's quite a challenge. Ok, so tell me the best thing about operating your own spirits brand.

MM: Seeing the looks on most people's faces when they taste the dill aquavit for the first time.  It's better than words.  I even read one person's blog comment once saying he noticed me smirking when that happened, because yes I have seen that look before and each time it creates this silent exchange.  They might be saying something and I might be answering back, but it is the non-verbal exchange that is doing the real communicating.

On a larger sense, I love the idea of producing something that truly adds some value to the economy.  The vast majority of my business career was spent in office jobs where I was an expense, where my asset was to analyze risks and streamline business processes, essentially hidden value, therefore my accomplishments were mostly hidden.

Now, I hire local farmers to grow crops to include in my products which are sold at retailers, where producers, distributors, and retailers all make some profit due to my product.  It's gratifying to know that in an economy that has been shedding jobs, that if I continue to grow then I will create some, it probably won't happen in 2013 since my production is still too small, but if I maintain growth then likely 2014.

E: What's been you're biggest surprise?

MM: That the aquavit idea is working, pretty much exactly as I planned it.  Not in the timeframe I planned. Literally everything has taken more time than planned. But I planned that it would be a hit with the Scandinavians first, then the foodies second, then the craft cocktail scene third, and then as people heard more about it the general public would warm up to the idea. On paper, those plans always look great. But when it actually happens, it is like hitting a full court shot in basketball. Of course you were aiming and put your best effort into making it, but it is still a shock when it splashes into that net and I'm not so cool as to fake my surprise.

E: Any advice for readers who might be interested in following in your footsteps?

MM: Tough one, really tough, because in as many ways as I planned to succeed, I still haven't succeeded and it's been 2 years now.  Paul at 45th just handed me my first check from aquavit sales. How many people can go 2 years between paychecks?  We endured a year of recipe development, most of it unplanned delays. How many people can absorb a year delay in reaching the market?  At the same time, look at our screwed up world economy—people can't afford to sit back and wait for the economy, they have to do something themselves to spur things forward.

So, my advice is this. First, think small and stay local. Second, find a product that is under-served and of a meh-corporate quality. Third, learn that product inside and out, find the people who do it, live it if you can as an apprentice/mentee. And finally, plan toward replacing that product while doing your best to avoid or minimize bank debt.

Don't re-invent the wheel, but find where we lost the wheel that was better quality.  Literally, after thousands of years of life, everything that people need has been done. But in our 70 year quest to be modern or hip (or just via corporate buyouts) we've tossed aside a lot of great things that now are completely new to a new generation of people.  We are seeing it in granolas, chocolates, donuts, breads, beers, liquors and on and on.

E: Anything new on the horizon?

MM: I'll start here since I've only been around 7 months, I'm still new on the horizon.

The Dill Aquavit is my only product in the marketplace.  It has been selling well, I'm almost out of stock in the warehouse and I only have distribution in MN and now WI (they just took their first order last week).

Though the Holiday Aquavit wasn't out for the holidays, it finally was approved. It still needs MN registration approved (should happen this week). No one has ordered it yet, but it has been selling at 45th Parallel.  My feeling is 'every week should have a Holiday' so I'm selling it now.  Where the Dill is unaged, clear spirit, the Holiday is aged 6 months into a brown good, and a tasty balance of dill, caraway, juniper, mint, allspice, and orange.  This is a limited production of  roughly 600 bottles and when it is gone, there won't be another Holiday batch until next November.

The Celebration Aquavit was also approved, but needs MN registration yet and needs finishing.  It is still in barrels for another 2-3 weeks as we are hoping to get a golden color to accompany it's smooth, balanced flavors of dill, caraway, juniper, coriander, citrus (lemon/orange) and star anise.

E: Where can we buy your products?

MM: Minnesota and soon Wisconsin. I use the mainstream 3-tier marketplace, the couple online retailers carrying Gamle Ode are all Minnesota retailers who ship to the various states that allow it.  My recommendation is for people to visit their favorite local retailer and let them know you are interested in this crazy new Gamle Ode aquavit.

That does two things: first, it lets the retailer know more about you as their customer (better stores are happy to order a product you ask for, they just need to know at least one bottle will sell), and second it lets the retailer know times are changing in aquavit.  If I as brand owner or my distributor go to a store, then of course they expect us to push the product. Yes, I know the product is good, and yes they might find the product appealing; but they will have doubts about their customers knowing about this product (that up to now has never been asked for) and being willing to pay for it. That is where you asking for it is much better.

E: Plug time: Where can people connect with you online? Website? Twitter? Facebook?

MM: Sure, I have all three.  But let me plug the people who maintain these accounts as they are working for scratch.  I can't afford to pay them what their skills are worth, so I've sold them a cut of the dream.  Meaning it is like the classic internet startup and if Gamle Ode manages to get big, they will get a payout and more to reflect the investment of their talents; but if I fail, then we might all be living in Gamle Ode cardboard boxes down by the river. 

(Editor's note: Mike's website is http://gamleode.com, his twitter handle is @GamleOde and you can find him on Facebook at: facebook.com/GamleOde)

E: Ok anything else you'd like to share that we've missed?

MM: You know how watching the awards shows when each award recipient gets up and thanks everyone and God for their moment of waving this hunk of gold on the stage...now I get it.  For as much isolated planning and research and pondering and multitasking and worrying I did, I was still dead in the water without key people signing on to help me with this venture.

There are visible people like Bittercube and 45th Parallel that without them I'd be little or nothing, certainly no awards would be forthcoming.  There are semi-visible guys like the bloggers Jacob Grier in Portland and Harry Sheff in NYC, who embraced the product early on when there was nothing in it for them. They just happened to find it interesting.  And of course similar to you, but don't let me influence your comments.

Then there are invisible people like the old Danish guys of the DAC I was giving early taste testing with, who were so kind and encouraging.  Guys like Paul Jahn who bought his own bottle to take down to his sister's house for the holidays, tweeting out the purchase and the tasting, and adding photos online.  And people on twitter or facebook who make positive comments. It is all part of the community any new product needs to gain some traction, and without which a product just slips away into being just a fad.

And just like the classic award speech...I will shut up before properly naming all the people who matter so much: my girlfriend Kim who has lost me to this business venture, my kids who have to trust me not to fritter away their inheritance and not to end up in boxes by the river, etc.  I can never do this justice, but I thank them all, named and unnamed.

E: Thanks again Mike.​

And ​now onto the review. Once again, this was a gift from Mike. But I did drink it with him for an afternoon before I realized it was for me. So...

Gamle Ode Holiday Aquavit

Bottle says this is 42% ABV and was infused with dill, caraway, juniper, mint, allspice and orange. Mike clarified that it was redistilled after that. Then aged for 6 months in (full size) used bourbon barrels.

Nose: ​I get the dill, allspice and mint that was promised on the bottle, I also get just a hint of the orange. Not much of anything else though.

Mouth: The dill is there, but it is muted. There is some juniper and mint. A bit of allspice. The flavors are very well balanced. They meld into one another to make a savory whole

Finish:​ Just a hint of burn. Then the mint comes through to cool. It's the type of finish that refreshes the mouth to ready you for another sip.

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Overall: ​I like this. Which, honestly, surprised me. I'd tried the dill completely unprepared for the onslaught of dill flavor and it freaked me out a bit. So when I was asked to try this, I wasn't sure what to expect. I knew I was getting together with a friend and a friend of a friend so that was good enough for me. But once I tried it, I was pleasantly surprised. The well-balanced flavors won me over.

If you believe the genealogical websites I'm descended from Kings of Denmark and farmers of Norway and Sweden. Maybe it shouldn't be so surprising that I enjoyed this.